Fujifilm X-E3 Overview
Included with the X-E3 is the XF 18-55mm f/2.8-4 R LM OIS lens; a standard zoom lens providing a 27-84mm equivalent focal length range, covering wide-angle to portrait-length perspectives. This lens integrates optical image stabilization to minimize the appearance of camera shake to benefit working with longer shutter speeds or greater focal lengths and a linear motor-drive AF system provides fast, smooth focusing capabilities.
- 24.3MP APS-C X-Trans CMOS III Sensor
- Utilizing Fujifilm’s unique, randomized pixel array, the 24.3MP APS-C X-Trans CMOS III sensor affords a high degree of image quality and sharpness due to the omission of an optical low-pass filter. Versus conventional pixel patterns, the X-Trans design more closely mimics the organic nature of film in order to produce nuanced colors and smooth tonal transitions, while also reducing moiré and aliasing.
- X-Processor Pro
- Aside from benefitting the low-light performance with an expandable sensitivity range to ISO 51200, the X-Processor Pro also contributes to fast performance throughout the camera system, including a start-up time of 0.4 seconds, shutter lag time of 0.05 seconds, shooting interval time of 0.25 seconds, and a continuous shoot rate of 14 fps when working with an electronic shutter, or 8 fps with a mechanical shutter.
- UHD 4K and Full HD Video
- The X-E3 supports both recording in both UHD 4K/30p and Full HD 1080/60p video resolutions. Film Simulation modes can be used during recording to give a distinct look to footage, and video can also be output via HDMI to an external recorder or monitor, and a mic jack is featured for working with an external microphone.
- Body Design and Wireless Connectivity
- The rear 3.0″ 1.04m-dot LCD touchscreen allows for familiar operation, focus point selection, and menu navigation.
- High-resolution 2.36m-dot electronic viewfinder allows for bright, clear eye-level monitoring with a frame rate of 54.54 fps for smooth monitoring in a range of lighting conditions.
- A dedicated Focus Lever provides faster, more intuitive control over selecting specific focus points while shooting.
- Dedicated shutter speed and exposure compensation dials for direct, intuitive control over exposure settings.
- The physical exposure compensation dial now features a C position to permit an expanded compensation range when working with the control dials.
- An EF-X8 external shoe-mount flash is included to provide additional illumination when working in low-light conditions. The flash has a guide number of 26.2′ at ISO 100.
- Built-in Wi-Fi and Bluetooth allow for direct wireless sharing of files as well as remote camera control from a linked mobile device.
- 91-Point Autofocus System
- Utilizing both contrast- and phase-detection methods, the hybrid autofocus system employs 91 total points, which can be divided into 325 total areas for a high degree of focusing accuracy in a variety of lighting conditions. Approximately 50% side-to-side and 75% top-to-bottom of the frame is covered by phase-detection points in order to provide fast AF performance to suit working with moving subjects.
When working with autofocus, you can choose either single-shot AF-S mode or continuous AF-C mode, and each can be used in conjunction with Single Point AF, Zone AF, or Wide/Tracking AF settings. Additionally, AF-C Custom Settings let you choose from five AF-C presets depending on how your subject is moving, and the AF algorithm has been optimized for improved subject tracking and overall accuracy.
- Film Simulation and Grain Effect Modes
- Taking advantage of Fujifilm’s vast history in traditional film-based photography, the X-E3 integrates several Film Simulation modes, which can be used for photos or videos, to mimic the look and feel of some of Fujifilm’s classic film types. A refined Classic Chrome mode is designed to deliver muted tones and a deep color reproduction, similar to that of a dated slide film. Pulling from their more contemporary line of transparency films, Provia offers natural-looking tones for everyday shooting, Velvia produces a more dramatic and rich tonality with deeper color saturation, and Astia gives less contrast for a softer depiction of skin tones. Mimicking their negative films, Pro Neg. Std. gives smooth image tones that are suitable for accurate color renditions, while Pro Neg. Hi produces a more dramatic feel with the ability to draw color out of a variety of lighting conditions. In addition to the colorful benefits of these Film Simulation modes, there are also monochrome modes that simulate the look of traditional yellow, green, and red black and white contrast filters, as well as an Acros mode that can also be paired with colored filter effects. A sepia mode is also available for producing an inherently nostalgic look.
In addition to simulating specific film types, a Grain Effect mode is also available to replicate the look of old film photos with an organic textured appearance, which is especially noticeable when printing.
- XF 18-55mm f/2.8-4 R LM OIS Lens
- The included XF 18-55mm f/2.8-4 R LM OIS lens provides a 27-84mm equivalent focal length range, covering wide-angle to portrait-length perspectives to suit working with most everyday subject matter. An optical image stabilization system counters the appearance of camera shake by up to four shutter speed steps and a linear-driven autofocus motor helps to produce quick and smooth focusing performance. Three aspherical elements and one extra-low dispersion element work to minimize chromatic aberrations throughout the zoom range while also benefitting overall image clarity and sharpness. A Super EBC coating has also been applied to individual elements to reduce lens flare and ghosting for an enhanced contrast and neutral colors.
- Other Camera Features
- Advanced SR Auto mode can be used for fully automatic shooting with scene recognition to permit on-the-fly shooting in a variety of settings.
- Multiple Exposure mode lets you shoot two consecutive overlaid frames, and the first frame will be shown on the rear LCD to aid in alignment for the second exposure.
- In-camera 180° panoramas can be shot by simply panning the camera about the scene.
- Advanced Filters: Toy Camera, Dynamic Tone, Miniature, High Key, Soft Focus, Pop Color, Low Key, and Partial Color (Red, Orange, Yellow, Green, Blue, and Purple).